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The goal of the thesis is to explain intonation perception and cognition, as well as the vocal mechanism and techniques, to help aural-skills instructors teach vocal intonation skills to students who ...
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four mus...
The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...
Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided into three stylisti...
This thesis examines the nature of long-term absolute pitch memory—an ability traditionally assumed to belong only to absolute pitch (AP) possessors—by testing for evidence of this memory for “standar...
Robert Morris’s (1993) Contour-Reduction Algorithm—later modified by Rob Schultz (2008) and hereafter referred to as the Modified Contour Reduction Algorithm (MCRA)—recursively prunes a contour down t...
Several scholars of Franz Liszt’s music have recognized the revisions of previous works as a central part of his creative output. These revisions have caused considerable debate over how they should b...
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
For pieces that do not lend themselves to an analysis of form based completely on tonal harmony and thematic material, an analysis based on rhythm and meter can enrich the reading of a piece and prove...
A new analytical tool called “voice-leading class” is introduced that can quantify on an angular scale any transformation mapping one pitch dyad onto another. This method can be applied to two-voice, ...
本文在简介云南民族民间音乐——民歌的基础上,评析了《云南原生态民歌选 集》编辑出版情况及其学术意蕴,略述了作者概况,并结合当前云南高校图书馆服务于“音 乐学术阅读”的现实情况、分析了有利条件和存在的问题,提出了高校图书馆做好“音乐学 术阅读”可采取的办法和途径。
杨民康的《本土化与现代性:云南少数民族基督教仪式音乐研究》是一部立足于 云南、系统研究少数民族地区基督教仪式音乐的专著,笔者认为,该著填补中国少数民族地 区基督教仪式音乐空白;对于当下学科整合意识的增强起到旁征博引的作用;通过翔实的中 外史料和田野考察厘清了基督教仪式音乐在云南少数民族地区的发展流变等意义。
勤劳善良的纳西人民自古以来主要居住在玉龙山下、金沙江边和泸沽湖畔的 云南省丽江县境内,纳西族作为中国 56 个少数民族中文化相对发达的民族之一, 保留和创造了极其丰富又极具特色的传统音乐文化。纳西人民在西南边疆的发展 与建设中也起着重要的作用。2004 年 6 月,纳西族音乐学者桑德诺瓦(和云峰)的 专著《纳西族音乐史》由中央音乐学院出版社正式出版,此书作为和云峰老师的 博士论文成果呈现...
本文在对王信东《简捷明快音乐教学法》著述研读的基础上,详细解读了该教 学体系中——“知识(技能)型音乐审美教育”这一核心概念的内涵与外延,由此阐释了其 “通过手语教学法培养音乐理解力”、“通过欣赏体验与知识类比学习法培养音乐感受力”、 “通过音乐创编表现学习法培养音乐表现力”等创造性理念的构建途径,以此得到“简捷明 快音乐教学法”是音乐基础教育中审美教育理念和体系建构的一种成功尝试和探索性...
音乐作为承载人类行为方式的一种文化现象而存在于社会生活中。本文以申波老 师的专著《审美意识与音乐文化》一书为依托,认识探究音乐所表现出来的审美意义及与其 所存在的社会文化系统的密切联系,通过阅读《审美意识与音乐文化》一书的内容获得了对 音乐知识构建的理性概括和逻辑升华,并依据书作的思路进行了思考与解读。

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