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This study considers the half-diminished seventh, a chord that, in post-Romantic contexts, often fails to yield to easy classifications because of the multitude of potential interpretations. The seven...
Leigh VanHandel’s study of metrical locations or phrase beginnings and endings in art songs of the 19th century provides a glance into one property of lyric settings unstudied before. Its fastidious...
In “National Metrical Types in Nineteenth Century Art Song” Leigh Van Handel gives a sympathetic critique of William Rothstein’s claim that in western classical music of the late 18th and 19th centu...
William Rothstein’s article “National metrical types in music of the eighteenth and early nineteenth centuries” (2008) proposes a distinction between the metrical habits of 18th and early 19th centur...
Excerpt urls Tossed me a smile; and suddenly Pennyfields Grew from darkness to light, and the light of the stars Grew pale. I may not see her again, but I hold her smile in my heart, And she ...
Excerpt the University of Chicago, for the use of books from his valuable library, and for the permission, most highly prized, to print for the first time some of his translations of the Cid ballads...
Excerpt d wealth, therefore the King ordered that the large estate of the deceased should be taken care of, and placed it under the care of William von Schuylenburg, council of the King. At the same...
Excerpt use of beforehand, and a needful, cursory explanation given of them.) That is right; you can tell them pretty well already; now we will repeat once more the names of the keys, and then we wi...
Excerpt his fame stood high. Camden did not hesitate to couple his name with the names of Spenser and Sidney; but modern critics have persistently neglected him. The present anthology contains a lar...
Excerpt te;-shka Society, where the dancer, with body bent and with short rhythmic steps, had kept time to the dramatic laugh of the song,--a song that had seemed so aimless to me only the night bef...
This article examines the effects of UNESCO’s 2001 proclamation of Georgian polyphonic song as a “masterpiece of oral and intangible heritage.” Related ideas about tradition and the safeguarding of ...
The social role of music in violent conflicts is multifaceted. Both a vehicle for propaganda and an agent of comfort, music in wartime produces a complex web of pleasure, power, and identity. Here, I ...
Stephen Foster’s music became the backbone of the American minstrel show in the 1840s, a period of critical change for blackface minstrelsy as it grew from its countercultural class-conscious roots in...
This article proposes a typology of relations between the persona and its environment in recorded popular song, envisaged as the relationship between lyric/melody and accompaniment. It argues that t...
It is not difficult to find books and articles--often of a very scholarly bent--devoted to the most renowned popular songwriters of the first half of the twentieth century: Arlen, Berlin, Gershwin, Ke...

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