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Th Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis
Organism in the Original Revised Versions Brahms Piano Trio B Major, Op. 8, Mvt. I Means of Grundgestalt Analysis
2014/10/20
Johannes Brahms’s revision of the B Major Piano Trio, Op. 8, hereafter referred to as the Piano Trio, presents a unique analytical opportunity. By allowing two versions to coexist, Brahms not only gav...
Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
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As I sat in the luxurious salon of the apartments near the Park, where Mr. and Mrs. Ernest Schelling were spending the winter, sounds of vigorous piano practise floated out to me fro...
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use of beforehand, and a needful, cursory explanation given of them.) That is right; you can tell them pretty well already; now we will repeat once more the names of the keys, and then we wi...
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irth. He then vouchsafed his opinions and entered into a physical and mechanical discussion of the matter, indicating that he had spent hours in getting the whole subject straightened out in...
Skalkottas’s First Suite for Piano, First Movement (1936): From First Ideas to Realization
Skalkottas First Suite Piano First Movement First Ideas
2008/10/24
Even if, in retrospect, one finds too much of a naive pride in Schoenberg's belief that he had given a new supremacy to the German-Austrian tradition for a hundred years to come, it is more and more o...
Principles of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures
Scriabin piano miniatures octatonic scale acoustic scale whole-tone scale pitch substitution genus transformation
2010/3/24
Scriabin’s post-tonal period, which begins around 1909 with Feuillet d’album, Op. 58, is defined by the subtle and sophisticated exploitation of some special non-diatonic sets and their pitch universe...
"Schenkerian-Schoenbergian Analysis" and Hidden Repetition in the Opening Movement of Beethoven's Piano Sonata Op. 10, No. 1
motive hidden repetition Grundgestalt musical idea, Schenker Schoenberg Beethoven
2010/3/29
A process akin to Schoenberg's "musical idea" accounts to a large degree for motivic coherence in the first movement of Beethoven's Piano Sonata Op. 10, No. 1. My article illustrates this process by m...
Review of Nicolas Marston's Beethoven's Piano Sonata in E, op. 109, Oxford: Clarendon Press, 1995.
Beethoven Schenker
2010/4/21
[1] Nicholas Marston's ten-year-old article in Nineteenth-Century Music on Beethoven's sketches for the Piano Sonata op. 109 has found its logical successor in Marston's new book on the same sonata in...
Grazyna Bacewicz's Second Piano Sonata (1953): Octave Expansion and Sonata Form（图）
linear analysis 20th-century sonata forms Polish folk music
2010/4/22
If Grazyna Bacewicz's music is so "conservative" and
"neoclassical," why is it so difficult to define the beginning
and ending of the Development in one of her best-known works, the
first movement ...