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Review of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas
Edward D. Latham Tonality Drama
2010/3/24
[1] Edward D. Latham’s Tonality as Drama presents an interdisciplinary methodology for opera analysis that fuses the dramatic theories of Konstantin Stanislavsky with the musical theories of Heinrich ...
Some tonal compositions impart impressions of purely musical drama not readily revealed by Schenkerian analysis alone. Arnold Schoenberg's concept of musical problem, a component of his notion of musi...