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Reply to "Embodied Rhythm" by Bruno Repp and "Do Preferred Beat Rate and Entrainment to the Beat Have a Common Origin in Movement?" by Laurel Trainor
rhythm perception beat induction anthropometrics
2010/9/26
Two leading issues raised in commentaries on the authors’ earlier
article (2007) involved the possible roles of gender differences and the vestibular
system on test results. Those issues are discuss...
Do preferred beat rate and entrainment to the beat have a common origin in movement?
rhythm perception beat induction entrainment
2010/9/26
The idea that beat induction derives from body movement is attractive, but
until recently unequivocal empirical evidence of such a linkage has been elusive. Todd et
al. (2007) provide evidence that ...
The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord
Schenker counterpoint triad seventh chord harmony hierarchy
2010/4/21
Schenker's success in bridging the gap between strict counterpoint and free composition is reassessed, in view of the finding that in each of these two domains the notions "triad" and "seventh chord" ...
Theorists have struggled many decades to explain
the first simultaneity of the Prelude to Wagner's *Tristan
und Isolde.* An interpretation that seems to be widely
credited today equates the TC wit...