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Just two years since Michael Smuin’s death, the May 16 performance was Smuin Ballet’s third from last performance of its 15th and spring season. For prices starting at $55 and $40 you could attend a p...
Don Quixote’(图)     Don Quixote’  Pamela Gaye       2009/7/23
Don Quixote, the Atlanta Ballet’s final season performance, showcased the talents of dancers Christian Clark as Basilio and Christine Winkler as Kitri in what proved to be a stellar performance accomp...
The Nashville Ballet’s latest triumph, Carmina Burana, at the ultra-modern downtown TPAC Auditorium, showcased its dancers in proving to be one of the company’s best performances this season. In launc...
The seven-item program Company C presented at the Dean Lesher Center for the Performing Arts, Walnut Creek May 15 echoed the earlier viewing at San Francisco’s Cowell Theater at Fort Mason. Relying on...
‘Onegin’(图)     Alan Helms  Onegin       2009/7/23
For some, Boris Eifman is the Russian Béjart, a crowd-pleasing vulgarian, a Las Vegas Diaghilev given to the sensational and meretricious. They see him as representing the worst of two worlds: the mus...
The weekend of May 7-10 marked the end of Ballet San Jose’s 2009 spring season and an amazing range of works. It’s unfortunate the company's following hasn’t developed so that its seasons permit a two...
‘Onegin’(图)     Renee Renouf  Onegin       2009/7/23
It’s safe to say the Bay Area Russian population is all too happy to fill Zellerbach when Russian companies are dancing. They did so in droves for three performances of Boris Eifman’s Onegin with its ...
Having seen the Boston Ballet productions of The Sleeping Beauty in 2001 and 2005, my expectations of the current offering were high. The performance I attended during the first week of the run was al...
The “Ballet Russes” program at Boston Ballet struck me as a series of meditations on the primitive: how it flares up in the psyche and how it is integrated into civilization. “The Prodigal Son,” “Afte...
Surprising as it may seem, Boston is one of the principal venues of this year’s worldwide celebration of the centenary of the Ballets Russes. In an upcoming review I’ll be reporting on the many exhibi...
ABT's been playing mix-and-match games with its stars throughout this weeklong bout of its Balanchine/Tchaikovsky Spectaculars. For better or worse, I'm seeing only two, with last Wednesday night's be...
I spent a lot of time thinking about feet at American Ballet Theatre's Balanchine/Tchaikovsky program at the Met last night. Oh, and also about Balanchine and Tchaikovsky. It's nice to see ABT back, a...
A near capacity audience provided The Paul Taylor Company with a standing ovation following its opening program April 29, comprising the Taylor take on contemporary culture, vintage 60's, Changes, a r...
Powered by its own brand of rocket fuel, the Alvin Ailey American Dance Theater arrived in Boston on April 28, courtesy of the Celebrity Series, for seven performances of four different programs. The ...
Honestly, until I saw Whelan dance this ballet with the incomparable and greatly missed Peter Boal, I never appreciated what a magnificent ballet Robbins made. Boal was a very cerebral dreamer, and Wh...

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