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This essay is an attempt to clarify several points regarding the concept of focalisation as used by theorists of fiction and film. Two theoretical points are made in the introduction: firstly, focalis...
Postmodern feminist theories of identity have warned against the use of general categories of gender in favour of more complexly structured conceptions in which gender is but one relevant strand among...
The New York novelist Eric Kraft tells in this interview about his main literary sources (Nabokov, Barth), and comments on some of the aspects that make his fiction a very interesting combination of m...
This essay initially draws on the feminist criticism of Gilbert and Gubar, Pykett, Bonnie Kime Scott and Elaine Showalter to underline the theme of male inadequacy in the early work of Hemingway and M...
This essay looks at the politics of modernism and the politics of reading. Considering the elective affinity that seems to have existed between America and Dante, it focuses on T. S. Eliot's relations...
This essay reads the work of Edward Gordon Craig within the tradition of the European theatrical avant-garde. Though he is hailed as one of the "prophets" of twentieth-century theatre, Craig and his o...
The generation of expatriate Americans who spent the period between the world wars in Europe captured the imagination of critics and readers throughout the twentieth century. But while we know their w...
This paper focuses on Wilde's letter, De Profundis, with relation to various forms of debt (economic and moral-metaphorical), which, it is argued, function within an economy of symbolic exchange and d...
This paper aims at questioning, among other things, Charles E. May's well-known "unified theory of the short story". As Bonheim sees it, May's theory would deserve to have added to it a unified theory...
Brest Easton Ellis is a representative blank fiction writer whose novels deal with violence, indulgence, sexual excess, decadence, consumerism and commerce. In American Psycho (1991) he focuses on t...
在西方文论史上,反讽经历了从古希腊戏剧、德国浪漫主义文论到新批评文论的抵嬗异衍,由普通的修辞格发展为一种重要的文学创作原则。纳撒尼尔·霍桑的长篇小说《红字》,在多维度上都显现了反讽的特征,尤其对文本层面反讽的使用,比后来的新批评提出的相关反讽理论,早了近一个世纪。对于《红字》的反讽艺术,可以从言语反讽、功能反讽、模式反讽三个层面来进行阐释。
Human existence has unfortunately been constructed on the basis of contentious fundamental values that define societies from an externalised perspective. The exclusionist policy is one of the most sus...
The stream of consciousness novel in English is the result of a literary revolt.This school of fiction was started by a few writers in the first part of the twentieth century as a repudiation of the t...
While women’s writings have always been read as “women’s writings”,delimited in their concerns, there have been some texts by women which may be cited to refute such charges quite firmly for the simpl...
This article tries to access and dig into Priscilla Hart’s character (the protagonist of Riot by Shashi Tharoor) from the perspective of existentialism and feminism. In other words, this paper tries t...

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