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The third movement of Thomas Adès’s string quartet Arcadiana features a complex, free textural counterpoint that seems resistant to the transformational analysis of the common sort that focuses, as do...
Using Julian Hook’s theory of Uniform Triadic Transformations as a point of departure, I construct a network in which the “distances” between major and minor triads may be measured and progressions ma...
Clermont Pépin’s Toccate no. 3, a work for piano composed in 1961, features extensive repetition and sequencing through the development of smaller atonal intervallic motives. Measures 18–23, in partic...
This article presents thoughts on the experience of space, developed from a research study I have been doing during two years immersed in a very singular context where the familiar university environm...
Blackfoot scholar, Jamake Highwater (1981), described this "distance" in his work titled The primal mind: Vision and reality in Indian America. His work is a powerful explanation about why art is so i...
Blackfoot scholar, Jamake Highwater (1981), described this "distance" in his work titled The primal mind: Vision and reality in Indian America. His work is a powerful explanation about why art is so i...
Studies by George Lakoff and Mark Johnson in the field of cognitive linguistics give rise to a theory of meaning that bestows a central role on metaphorical thinking and the body. This essay explores ...
When spaces with greater than 20 pitch classes are considered, the problem of generating equivalence classes (set classes) with respect to operations like transposition and inversion becomes incre...
Multidimensional scaling (MDS) analysis was applied to data on interval similarity (confusability) obtained in a study to help improve aural skills pedagogy. A three-dimensional geometric configuratio...

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