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Anonymous I and Prologus in tonarium：Changing Interpretations of Music Theory in Eleventh-Century Germany
Music Theory Eleventh-Century Germany Changing Interpretations
2009/10/16
This article examines the relationship between Prologus in tonarium by Abbot Bern of Reichenau (d. 1048) and the eleventh-century music treatise known today as 'Anonymous I' (first published by Dom. M...
Hero or Has Been?Mendelssohn Reception in England and Germany in the 1840s
Mendelssohn Hero Has Been England Germany
2008/10/24
Central to the generally accepted picture of Mendelssohn reception is the notion that his reputation declined sharply in the years following his death in 1847. From the 1960s to the present, Mendelsso...
Review of "The Beginnings of Serial Music," Berlin, Germany, June 20-25 1996
Serialism Barraqu? Boulez Goeyvaerts Stockhausen
2010/4/21
The Institut f黵 neue Musik in Berlin hosted a three-day series of lectures and concerts on "The Beginnings of Serial Music." Music of four composers central to serial music, Barraqu? Boulez, Goeyvaert...