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This article outlines the scope, editorial choices, structure and research potential behind two major AHRC-funded projects which came to fruition at the end of 2008 offering a major contribution to th...
Three hundred years after the dissolution of the monasteries in England by King Henry VIII, Augustus Welby Northmore Pugin (1812–1852) designed an abbey that restored the Cistercians of the Strict Obs...
Many fashion theorists and critical thinkers have explored the idea that dress acts as a "vehicle for fantasy" and is a visual manifestation of the movement between the realms of public and private, a...
Though Maternità garnered contempt from the majority of viewers in 1891, it did inspire a fervent few. In the weeks of published debate, Previati's supporters argued for ideismo, being inspired by an ...
The fear that creativity would suffer with the introduction of mechanical methods of reproduction lay behind the criticism directed first at Rouillet, and then at Madame Cavé. However, if such process...
Widely acclaimed in their own time, the Nazarene artists of early nineteenth-century Germany are virtually unknown to the museum-going public in most Western countries today. Even among art historians...
In the nineteenth century, the production of prints became an industry. Manufactured and available everywhere but in the remotest parts of the world, prints constituted an affordable commodity. The gl...
Throughout most of the nineteenth century, the new rural cemeteries of North America attracted the attention of patrons and sculptors as potential sculpture gardens worthy of the best quality of art.1...
Foreign control of Greece’s territory went hand-in-hand with foreign-spurred efforts to disenfranchise its troublesome modern population. Reflecting the period’s perceptions of the rise and decline of...
Leigh VanHandel’s study of metrical locations or phrase beginnings and endings in art songs of the 19th century provides a glance into one property of lyric settings unstudied before. Its fastidious...
In “National Metrical Types in Nineteenth Century Art Song” Leigh Van Handel gives a sympathetic critique of William Rothstein’s claim that in western classical music of the late 18th and 19th centu...
William Rothstein’s article “National metrical types in music of the eighteenth and early nineteenth centuries” (2008) proposes a distinction between the metrical habits of 18th and early 19th centur...
Michael Murphy and Jan Smaczny (eds), Music in Nineteenth-Century Ireland (2007)。
A glance at the table of contents of Music, Criticism, and the Challenge of History!aan introduction and epilogue framing two chapters each devoted to three pivotal figures, Eduard Hanslick, Guido ...
[1] Christopher Alan Reynolds’s Motives for Allusion has received wide attention from reviewers who often seem to be as anxious to recount their own preoccupations with the topic of musical allusion a...

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