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The years 1880-1914 were a time of intense experimentation in the visual arts. Representative conventions became variable, and artists deliberately departed from a concept of depiction considered as p...
The years 1880-1914 were a time of intense experimentation in the visual arts. Representative conventions became variable, and artists deliberately departed from a concept of depiction considered as p...
This volume is the fourth in the series ‘Leipzig Explorations in Literature and Culture’. Several of the titles that have appeared under this rubric have been monographic, while one other, the excelle...
In this paper we investigate the most important visual stereotypes of chemistry as they occur in current portraits of chemists, depictions of chemical plants, and images of chemical glassware and appa...
This paper addresses the influence of developments arising in the field of psychology on American artistic practice in the 1960s and early 1970s, with important ramifications for how aesthetic experie...
Realists regarding scientific knowledge – those who think that our best scientific representations truly describe both observable and unobservable aspects of the natural world – have special need of a...
Realists regarding scientific knowledge – those who think that our best scientific representations truly describe both observable and unobservable aspects of the natural world – have special need of a...

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